And when we did ‘Time of the Season’, this huge audience of young people went completely crazy. It was a marquee, and I guess it must have held up to 5,000 people, but when we started the set, there were just a few people in there, and I thought, ‘Oh God, I hope this is not going to be embarrassing.’ But when we started playing, it filled up, mostly with young people. “When we did Glastonbury a few years ago,” says Argent. It took several decades of cult acclaim to convince the pair to reform in 2004, but even though they’ve just released a superb new studio album, Different Game, they’re still pinching themselves. Blunstone is dressed more softly, longer haired Argent, leather-jacketed, a rocker. Today, Blunstone is sitting on a wicker sofa in the garden terrace of an upmarket London hotel, opposite the keyboard wizard and band leader of The Zombies, Rod Argent. “The first couple of days, there was a bit of pointing,” he recalls in the new Zombies documentary Hung Up on a Dream, “but that first day, I had to pick up the phone the same as everyone else, when someone would ring up and ask a question about insurance.” ![]() When one of the singles from that album, “Time of the Season”, hit number three in the US Billboard charts in early 1969, the group’s singer Colin Blunstone, possessor of one of the most beautiful voices in rock’n’roll, had taken a job in an insurance company. Their celebrity fans include Harry Styles, Dave Grohl, Haim and Jeff Lynne of ELO, who put it very simply when he said, “I love The Zombies.” Their 1968 album Odessey and Oracle is a psychedelic pop masterpiece, one of the most enduring records of the decade, yet by the time it was released, the band had already broken up, tired of being exploited by rogue promoters, and out of favour with Sixties pop pickers.
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